Documentary photographer
based in Munich, Germany

mail@janaislinger.com
+49 (0)152 28728008






Armenia, at the crossroads between Europe and Asia, is facing a decisive phase in its history: long dependent on Russia as a protective power, the loss of Nagorno-Karabakh has made clear that this support cannot be relied upon. Russia's turning away and the fear of another war with Azerbaijan deprives Armenia of any hope of a secure future.

"It's my wound because it's pain for me" is a photographic exploration of Armenian society, whose identity is shaped by the trauma of the past, the fear of war and the sense of isolation. The work sheds light on the impact of geopolitical tensions and military conflicts on civilians in a region at the center of political interests and power struggles.

The military escalation in Nagorno-Karabakh in September 2023 and the subsequent exodus of the Armenian population once again highlight the fragility of their existence. The fear of a further escalation of the conflict with the military enforcement of a corridor from Azerbaijan to its exclave of Nakhichevan is huge. Azerbaijan can count on powerful support from Turkey, while Moscow in turn is dependent on Turkey as a strategic partner. Russia refuses to support Armenia, but will not allow it to withdraw its influence and seek new allies in the West. Armenia is almost completely surrounded by enemies and faces enormous challenges.

Armenia, 2023 - ongoing

Clicking on the pictures takes you to the chapters.














Georgia, located at the easternmost end of Europe, is caught in the tension of a conflict between pro-Western reorientation and the historically Russian sphere of influence, which is reflected in the entire society.

Droa [„It‘s time“] is a photographic search for the identity of a country between the dream about Europe, the fear of Russia and the consequences from years of oppression.


Georgia, 2022


Clicking on the pictures takes you to the chapters.








The Loro Borici School is a football school for young talents in a suburb of Tirana, Albania. It is the last school in Albania to be run by the state since the end of communism. The privatization of sports and the lack of football pitches, especially in urban areas like Tirana, are both consequences of the transition to capitalism. Instead of focusing on training talents, many schools aim to generate as much capital as possible with the expensive fees. As a result, football also becomes a source of social exclusion. Against this background, the Loro Borici School appears to be the last resort for the dreams of those boys who have no chance for an elite education.

Due to my documentary project, I had the opportunity to follow the daily life of the boys in this last public football school. The high school not only prepares its students for final exams but also provides them accommodation to live on the campus during the academic year. The school day consists of daily training sessions on the football field and lessons related to their matriculation standard.

Contrary to all other football schools, this school is only about the young athletes' achievements and not about the financial circumstances of their families.

„We want to play for a national team. It‘s our big dream“ - Tomas, student of Loro Borici School

For many of the students, the Loro Borici School is the hope of realizing their dreams and one day playing for Europe’s top teams.

Tirana, Albania 2021
















The Mescid-i Aksa Mosque in Fürstenfeldbruck is an important centre for the German-Turkish community in the region. In addition to daily prayers and gatherings, religious festivals and cultural events are also celebrated in the mosque. The community is also actively involved in social projects. After the devastating earthquakes in Turkey and Syria in early 2023, the Mescid-i Aksa Mosque was able to raise a considerable amount of money for those affected by selling home-baked lahmacuns.

Süddeutsche Zeitung


















Eva Szepesi was twelve years old in Auschwitz, all alone, without parents. She kept silent for fifty years, then she began to talk. How the Holocaust still shapes her everyday life today - and that of her daughters and grandchildren. Travelling with one of the last living witnesses.

Süddeutsche Zeitung